The Rome Zoo by Pascal Janovjak, Stephanie Smee | Black Inc.

The Rome Zoo


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About the author

Born in Basel in 1975 to a French mother and a Slovakian father, Pascal Janovjak studied comparative literature and art history in Strasbourg before moving to the Middle East. His works include Coléoptères (Beetles), L’Invisible

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Stephanie Smee

Stephanie Smee left a career in law to work as a literary translator. Recent translations include Hannelore Cayre’s The Inheritors and The Godmother (winner of the CWA Crime Fiction in Translation Dagger award), and Françoise Frenkel’s …

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Praise for The Rome Zoo

‘Like all truly great literary allegories, The Rome Zoo is both innocent and wise, filled equally with tenderness and darkness. A gorgeous, dream-like fable of Italy’s past and present.’ —Ceridwen Dovey

‘Pascal Janovjak evokes a memory of this fantastical place with a concisely efficient pen, but it is also an ingenious and dark-humoured re-writing of the present.’ —Lucie Tardin, Viceversa litérature

The Rome Zoo is a work of striking originality … the book revisits the history of Italy from 1911 to the present day, interweaving a story of impossible love replete with its own astonishing twists and turns.’ —Martine Freneuil, Le quotidien du médecin

‘Pascal Janovjak has written a literary, philosophical, historical and romantic work of utter originality. A profound meditation on Italy’s evolution as seen through the lens of the “lost paradise” of the Villa Borghese, an eccentric reflection of our own society.’ —Marie-Lucile Kubacki, La Vie

‘Interweaving authentic facts with an imagined framework, this tragi-comedy plunges us into the intimist sealed universe of a strange Roman theatre, a mythologised bazaar, still resonating with the muffled echoes of its variously prosperous bygone eras.’ —Michel Bertrou, La Semaine véterinaire

‘Pascal Janovjak depicts us to be the products of history we are, revealing our connection to nature as more complex than might at first appear. Ultimately, there is a poetry of sorts in this earthly paradise, this lost ark able to carry us away in the very heart of the city … The Rome Zoo resists easy categorisation.’ —Christophe Henning, RCF

‘An elegant and refined text, its controlled tone and subtle sense of humour work to displace us temporally, leaving us in a dream-like present on the edges of modernity, where the everyday, rendered with the consistency almost of a mirage, serves as an echo chamber of the past.’ —Riccardo Borghesi, L’Italie à Paris.net

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